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24 UMMA Objects
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This is a multi-colored abstract silkscreen print. The colors flow into one another and form organic shapes. This print is included in an artist's book. 
Sam Gilliam (American (North American))
Pulsar
1974
Gift of the Marvin Felheim Collection
1983/1.298
This small sculpture consists of a black rectangular base with spools on it, all spray painted black. A red wooden pole is sticking out of the center of the base and is holding up a thin red platform, with additional spools and a bright red ball on top. Multiple rubber belts are threaded among the spools on both the red and black elements.
Gordon Newton (American (North American))
Model No. 30183
1984
Gift of H. David Zucca
2013/2.302
This mixed media assemblage has a series of see-through panels hanging from a wooden frame with a lightbox at the back. On the hanging panels, there are photographs printed, with a variety of images of buildings, sculpture, and advertising.
Robert Rauschenberg;Gemini G.E.L. (American (North American);American (North American))
Sling-Shots Lit #6
1984
2015/2.41
This sculpture has a rectangular metal base supporting a gray stone and bronze rod, which together support a curved rectangular bronze element. A yellow glass wheel with a square radial and protruding dimples tops the work. 
Herb Babcock (American (North American))
Pillared #5
1990
Gift of Carol Wilke in honor of Manuel and Joan Jacobs
2015/2.56
Blue anodized aluminum with two laser-cut abstract shapes and orange, yellow, and white screen-printed designs based on the shape of the floorplan of the UM Duderstadt Center.
Sam Gilliam (American (North American))
Sample Anodized Aluminum with Screenprint
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.8

Brenda Goodman
Mother Fear Mother Dear
Gift of Brenda Goodman in honor of Gertrude Kasle
2008/1.168
This work is a double sided, mixed-media creation. One side is dominated by a large grey form in the shape of an upside down house. At the top, brightly colored strips of paper are woven into the grey area. The lower half of the background is a bright yellow and deep purple. Around the edges, geometric squares and circles of red, orange, green, and blue have been stamped in ink. Thin lines form circular and hexagonal shapes in the lower corners as well. The reverse side shows a black and grey checkerboard pattern, overlaid with geometric shapes in the upper portion in blues, oranges, yellows, reds, and greens. There are also dark semi-circles forming a border around the image. Stitching cuts across the work, in a large "U" shape, reach down towards the bottom of edge of the work.
Alan Shields (American (North American))
Untitled
1971
Gift of Eugene K. Collins
1981/2.188

Jonathan Monk (British (modern))
Sentence Removed O's Remain
2000
Gift of Leonard Rosenberg
2015/2.100
White rectangular anodized aluminum plate with two laser-cut abstract designs, and white, yellow, and blue screen-printed designs. The white designs reference the shape of the floorplan of the UM Duderstadt Center. 
Sam Gilliam (American (North American))
Sample Anodized Aluminum with Screenprint
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.10

Susan Rothenberg
Untitled
1984
Gift of Gertrude and Leonard Kasle
2008/2.217

Gerome Kamrowski (American (North American))
Whirlie
2000
Gift of Mary Jane Kamrowski
2008/2.302
At the center of the scene, there are three figures carrying instruments. Below and above, three building-tops are depicted. The central figures are painted in shades of blacks and browns, while the buildings are painted in shades of yellow, orange, beige, black and blue. The background is beige and yellow, and painted on found board and mounted on wooden planks.
Purvis Young (American (North American))
Three Guitar Players
1992 – 2002
Gift of The Daniel and Harriet Fusfeld Folk Art Collection
2002/1.210
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